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A Brief History of Curating: By Hans Ulrich Obrist.

Ways of CuratingHans Ulrich Obrist curated his first exhibit in his kitchen when he was twenty three years old Sin.

Ce then he has staged than 250 shows internationally, many of them among the most influential exh.

Ways of CuratingCe then he has staged than 250 shows internationally, many of them among the most influential exh.

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D, revealing the truth from thebeginning of his career as a young curator in his Zurich kitchen toh.

Hans Ulrich Obrist: Everything You Always Wanted to Know about Curating But Were Afraid to AskD, revealing the truth from thebeginning of his career as a young curator in his Zurich kitchen toh.

Hans Ulrich ObristEverything you ever wanted to know about Hans Ulrich Obrist butwere afraid to ask has now been aske.

S of the past decade that reclaim the use of lived time as.

Where Art BelongsS of the past decade that reclaim the use of lived time as.

Where Art BelongsWhere Art Belongs Chris Kraus examines artistic enterprise.

Curation NationBusiness Leaders Are Buzzing About Curation Nation n nAn indispensible guide to the brave new medi.

A world Arianna Huffington, editor in chief, the Huffington Post n nGives me hope for the future o.

Curation Nation: How to Win in a World Where Consumers Are CreatorsA world Arianna Huffington, editor in chief, the Huffington Post n nGives me hope for the future o.

Cktail of bold ideas and ethical imperatives These include cooperative curating, especially with a.

Thinking Contemporary CuratingWhat is contemporary curatorial thought Current discourse on the topic is heating up with a new co.

Thinking Contemporary CuratingCktail of bold ideas and ethical imperatives These include cooperative curating, especially with a.

Education for Socially Engaged ArtFor too long Social Practice has been the notoriously flimsy flipside of market based contemporary.

Art a world of hand wringing practitioners easily satisfied with the feeling of doing good in a c.

Education for Socially Engaged Art Art a world of hand wringing practitioners easily satisfied with the feeling of doing good in a c.

E ultimate political art that by encouraging an audience to take part an artist can promote new ema.

Artificial Hells: Participatory Art and the Politics of SpectatorshipE ultimate political art that by encouraging an audience to take part an artist can promote new ema.

Nal critique Institutional critique is an artistic practice that reflects critically on its own hou.

Institutional Critique: An Anthology of Artists' WritingsNal critique Institutional critique is an artistic practice that reflects critically on its own hou.

Institutional CritiqueAn anthology of writings and projects by artists who developed and extended the genre of institutio.

Art PowerArt has its own power in the world, and is as much a force in the power play of global politics tod.

Ay as it once was in the arena of cold war politics Art, argues the distinguished theoretician Bori.

Art PowerAy as it once was in the arena of cold war politics Art, argues the distinguished theoretician Bori.

Curating SubjectsThis sleek and serious anthology of new curatorial writing features contributions from leading int.

Ernational curators, artists and critics including Julie Ault, S ren Andreasen Lars Bang Larsen, C.

Curating SubjectsErnational curators, artists and critics including Julie Ault, S ren Andreasen Lars Bang Larsen, C.

1960s in reaction to the growing commodification of art and the prevailing ideals of arts autonomy.

One Place After Another: Site-Specific Art and Locational Identity1960s in reaction to the growing commodification of art and the prevailing ideals of arts autonomy.

, if controversial, theory of cultural hybridity one that goes far beyond previous attempts by othe.

The Location of Culture, if controversial, theory of cultural hybridity one that goes far beyond previous attempts by othe.